I digitally layered two studies and a section of sheet music to create this image, then printed it onto 280gsm watercolour paper and over painted area to resolve the image.

I used the same sketches and watercolour studies of a previous painting and reworked them to create a new approach, add feeling and meaning to this landscape. The underlying symbolism, that I created and used, is intended to show respect and regard for the traditional owners of this area of Western Queensland.

In this artwork, I scanned and layered three of my watercolour paintings and digitally manipulated the image.

To create this artwork I scanned, layered and digitally manipulated two painted studies and one of my photographs.The resulant image was printed onto 190gsm watercolour paper with Epson archieval grade inks.

To create this artwork I scanned, layered and digitally manipulated two painted studies and one of my photographs.The resulant image was digitally printed onto a canvas and then further painted.

I scanned two watercolour studies & a photograph, layered and digitally manipulated the resultant image. Then I printed it onto 190gsm watercolour paper with Epson archieval inks.

I scanned three watercolour studies, layered and digitally manipulated the resultant image. Then I printed it onto 190gsm watercolour paper with Epson archieval inks.

In this artwork, I layered and digitally manipulated three of my watercolours, one desert photograph taken near Birdsville in Western Queensland and two texture rubbings.

In this artwork, I layered and digitally manipulated my watercolour paintings, drawings, two of my photographs and texture rubbings. The final image was printed onto 180gsm smooth watercolour paper using Epson archieval inks.

In this artwork, I layered and digitally manipulated my watercolour paintings, drawings, and texture rubbings. The final image was printed onto 180gsm smooth watercolour paper using Epson archieval inks.