Hans Snelders (hanssnelders)

Hans Snelders (hanssnelders)

The truth is Trees, flowers models and landscapes are all shy and reveal their essence rarely.
To caputure those moments on ricepaper takes endless perserverance and prodigious labor. To draw them is just heeding their grace, by appreciating what they add to our lives.
As an image they can become many things, as a symbol of joy or a configuration of black and gray tones.
Though it appears that in making a drawing, an artist is drawing meaning out of the subject, in actuality the subject is teaching the drafstman, and sometimes it appears also to have left some residue.
hans.snelders@ziggo.nl

Die Wahrheit ist, Bäume, Blumen, Landschaften und Modelle, sie alle sind scheu und zeigen ihre Essenz selten.
Um diese Momente auf Reispapier zu erfassen braucht mann endlosen ausdauer und ungeheuren Arbeit. Um sie zu zeichnen beachtend man ihre Grazie, um zu anerkennen, was sie unser Leben hinzufügen. Als Bild können sie viele Dinge gestalten, als ein Symbol der Freude oder eine Konfiguration von Schwarz-und Grautönen.
Obwohl es scheint, dass bei der Herstellung einer Zeichnung, ein Künstler, bedeutung, an einer Zeichnung hinzufügt, in Wirklichkeit ist es das Thema das der Kunstler etwas lehrt, und manchmal scheint es auch ein residuum hinterlassen zu haben.
hans.snelders@ziggo.nl

La verità è, alberi, fiori, paesaggi e Modelle, sono timidi e raramente mostrano la loro essenza. Per catturare questi momenti su carta di riso, si ha la necessità resistenza infinite e il lavoro tremendo. Al fine di distinguerli facendo attenzione alla sua grazia, a riconoscere al, che cosa aggiungere alle nostre vite. Come un'immagine può fare molte cose, come simbolo di gioia o una configurazione di toni neri e grigi. Sebbene sembri, che nella preparazione di un disegno, un artista, un senso, aggiungere ad un disegno, in realtà è l'argomento, in realtà il soggetto è l'insegnamento della artista. ea volte sembra di aver lasciato un residuo.
hans.snelders@ziggo.nl

La vérité est, Arbres, fleurs, paysages et modèles sont timides et montrent rarement leur essence. Pour capturer ces moments sur papier de riz on a besoin d'endurance sans fin et un travail formidable. Afin de les distinguer on visionnement leur grâce, de reconnaître à, ce qu'ils apportent à nos vies. Comme une image, il peut faire beaucoup de choses, comme un symbole de la joie ou une configuration de tons noirs et gris. Bien qu'il semble que, dans la préparation d'un dessin un artiste, le sens, en ajoutant à un dessin, en réalité, c'est le thème que l'artiste apprend quelque chose. Et parfois, elle laisse un résidu derrière.
hans.snelders@ziggo.nl

  • Femke Gerestein (Gerestein)
  • Tonia Ackermann (Tonia)
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Marten Tonnis (martentonnis)

Marten Tonnis wrote on July 23, 2016 18:57:

Great work Hans !!!

Rolf Sickinger (twoplustwo)

Rolf Sickinger wrote on December 14, 2013 22:28:

Hi Hans, I like your model drawings very much. They match my taste of this kind of art. Just great.

Xea B. (xeabaudoin)

Xea B. wrote on July 31, 2012 22:40:

Hello Hans,

No problem Hans, you made it clear and anyway we are both tuning up. You dont have to apologise as this is a free debate (and a fruitful one) so thank you!

Best regards,

xea

Xea B. (xeabaudoin)

Xea B. wrote on July 30, 2012 14:27:

Thank you Hans, yet your comment is a bit confusing: how do you relate Sumi-e to east India?
Whatever my work is fundamentally occidental and based on the sharp observation of dancers...

Xea B. (xeabaudoin)

Xea B. wrote on July 19, 2012 13:58:

i like your ink: "hans snelders "Another branch"", Drawing, ink, 2012

Tonia Ackermann (Tonia)

Tonia Ackermann wrote on July 12, 2012 22:54:

:)) 'herzerwärmend' ist schön gesagt.. ich finde, die technik wirkt leicht und weich mit dem aquarell. einen kontakt herstellen? grüße aus hamburg, tonia

Tonia Ackermann (Tonia)

Tonia Ackermann wrote on July 10, 2012 21:28:

wow! hallo hans, i like our drawings. greetings, tonia